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ഹ്രീം – ബീജാക്ഷരം (ലളിതാ ത്രിശതി 292-294) Hrīm – The Sacred Syllable (Lalita Trishati)

There are sixty mantras in Lalitha Trishathi that began with the word Hrim.
The next mantra is

Om hrīṁkāra bōdhitāyai namaḥ
(… who is Hrim and Hrim is She.)

It means she who is known by the sound Hrim. We cannot separate word and meaning. When we hear a word, we right away relate it to the object it represents. We remember Parashakthi when we hear Hrim. There are four letters Hi, ru, e, um. We saw earlier that Devi is creation, preservation, destruction and beyond. Parashakti is a being whom we know.

एकम सत विप्रा बहुधा वदन्ति
Ekam Sat Vipra Bahudha Vadanti
Rig Veda 1.164.146

Existence is One, Sages call it by different Names. Some say she is the power who encourages senses, few say she is the witness who shines in the hearts of beings. Ishavasya Upanishad says that God is everything. The summary is that Devi is one who is known through all these different ways. All Upanishads talk about the one substance or truth.

एकधा बहुधा चैव दृश्यते जलचन्द्रवत् ॥
ekadhā bahudhā caiva dṛśyate jalacandravat
Brahmabindūpaniṣad Verse 12

This can be described using an example. Moonlight shines in the skies. Below there are pots filled with water. Every pot seems like having moonlight. Moon light is reflected in all water bodies. There is only one substance or matter. Its reflection is seen everywhere. This is the essence of the above mantra. Even though we explain in different ways it is just one. We should realize “unity in diversity”. hrīṁkāra bōdhitā means she who is aware through Hrimkara.

The next mantra is
Om hrīṁkāramaya sauvar-ṇṇastaṁbha vidruma putrikāyai namaḥ
(… who is the coral statue on the shining pillars called `Hrim)

A beautiful view is presented before us. There is a golden palace with golden pillars. Devi is a beautiful idol of coral situated in the most important, hidden space in this golden palace. So Hrimkara is compared to a beautiful golden palace. Chanting mantras are that valuable and precious. Chanting mantra is unavoidable for those seeking spiritual progress.

Devi is the most beautiful idol, the most worshipful. Scriptures talk about strong, unshakeable devotion. They will perform rituals at dusk, at the right time, chant mantras. They will offer worship elements like water, incense, flower, camphor, food offerings and so on in the right way. Even though there is discipline in this, there may be a lack in inner feeling or expression. Liberation is not attainable for them. Inner purity is the most important attribute.

For example, we visited Meenakshi Amman temple and saw its thousand mandaps, pond and other holy places. We could not have darshan of Meenakshi Devi because we were late. So there is no use. Likewise, we arrive at Vallikavu, saw the ashram, went to the beach, Kali temple but did not get darshan of Amma. It is similar to the above.

The most important part of spiritual practices is to attain realization of Devi. It is enough to see Amma, a word of Amma, and look from Amma. Amma smiled, Amma spoke, Amma enquired. We cannot derive this happiness received from anything else. Devi is the beautiful coral idol located in the most important part of a golden palace.

The next mantra in Lalitha Trishati is
Om hrīṁkāra vēdōpaniṣadē namaḥ
(… who is the Upanishad placed in the top of Veda called Hrim)

Hrimkara is compared to Veda. Devi is the part of its Upanishad. Veda has two parts, Karma (Actions) Kandam and Jnana (Knowledge) Kandam. Karma Kandam talks about all noble knowledge necessary for worldly living. It covers dexterity in multiple languages, writing and reading them, learning and remembering, writing poetry, learning Vedas like Rigveda, Samaveda, Yajurveda and Atharvaveda, learning Upa (sub) Veda like Dhanur, Gandharva, Ayur and so on.

It also covers construction, maintenance of buildings, playing musical instruments like Mridanga, Learning to dance, playing flute and other instruments, carpentry, all knowledge for our living, performing yagas and yajnas. Thus Vedas discuss all such actions in Karma Kandam.

At the same time, Vedas also discusses about the need for ultimate knowledge. This mortal frame is perishable. There is something that is unperishable and pervades in all sentient and insentient objects in the universe. All senses function with the power from this one matter. That principle is the inner witness of all.

A pot is made, ten holes are drilled, one lamp is lit in it. Light is seen through all the ten holes. Our senses are like this. Supreme consciousness is the inner witness of senses. Upanishads teach us the supreme principle in various ways. This is Jnana Kandam. Upanishads teach us that liberation is attained only through the true supreme knowledge.

We can realize through this mantra that even though Vedas are Hrimkara practices, they hint at the karma Kandam of Vedas and Devi tattva or principle is the knowledge behind it. Lalita Trishati teaches us ways for God realization……

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ഹ്രീം – ബീജാക്ഷരം (ലളിതാ ത്രിശതി 289-290) Hrīm – The Sacred Syllable (Lalita Trishati)

Om hrīṁkāra kōśāsilatāyai namaḥ is the next mantra
(… who is the shining sword in the sheath called Hrim)

Om hrīṁkārāsthāna nar-ttakyai namaḥ is the following mantra
(… who is the dancer on the stage called Hrim)

Usually, a sword kills bad people, our enemies, and thus protects the good and our dear ones. This mantra means that Devi is the sword inside the cover that is Hrimkaram. Devi protects Hrimkara saadhaks (those who chant mantras).

In the Phala Sruti (benefits) of Lalita Sahasranama, it says that Devi will protect those who chant just one name once. Devi helps in protecting Hrimkara Saadhaks and removing their sorrow. This mantra means that Devi is the sword inside the shield that is the sound Hrim.

The next mantra is “hrīṁkārāsthāna nar-ttaki”. Hrimkara is a hall made of gems. It is a hall decked with gems. A dancer is performing in that hall. That hall practices Hrimkara. Devi Parameshwari dances in that hall.

In temples, they take stories or part of history or from Puranas and manifest them through music and musical instruments. A dancer dances to that music. She expresses Navarasas (nine types of emotions) through her eyes, hands, mudras, steps, and so on. The audience enjoys those performances. Navarasas are also well enjoyed and appreciated.

Enjoyment is based on the mental attitude and maturity of those who watch. At the same time, whatever character the dancer assumes: She acts as Ravan, Sri Ram, Krishna, Yashodha, and so on, she knows that they are different.

This hall or stage is the universe. In this universe, Devi performs actions like creation, preservation, destruction, disappearance, blessings, and so on. At the same time, Devi has the awareness that She is beyond this universe.

The audience needs maturity. They should purify their mind through severe penance. Only those who have a pure mind can enjoy Devi’s actions in the right sense. This beautiful mantra makes us understand that Devi is both the dancer and worship hall. This mantra makes us realize that we who live in this universe should be aware of the fact that.

Devi is the dancer and the dance hall is the Sadhana. Devi is the source of everything and we should surrender before her.

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ഹ്രീം – ബീജാക്ഷരം (ലളിതാ ത്രിശതി 283-286) Hrīm – The Sacred Syllable (Lalita Trishati)

The next mantra is
Om hrīṁkāra dugdhābdhi sudhāyai namaḥ
(Devi who is the ambrosial nectar in the ocean of milk called Hrim)

Dugdham means milk. Abdhi means ocean. Sudha means – Ambrosia. Devi is the ambrosial nectar in the ocean of milk. We all know the popular legend of the churning of the ocean of milk. There lay a lot of precious things at the bottom of the ocean. With the help of the mountain Manthara, Devas tried to churn the ocean to retrieve the treasures.

When they realized that this was a difficult feat, they sought the help of Asuras, on the condition that the treasures would be shared. Thus, began the churning of the ocean of milk. While churning, many treasures surfaced. Among them, the most prized thing was Amritam (Ambrosia).

Those who drank Amritam could become immortal. This made them Devas. Devas have no Birth and Death. The most precious things began coming out from the churning of the ocean like Iravatha (The Celestial Elephant), Uchaisravas (The Celestial Horse) etc, among that Amritam being the most precious.

Hreemkara Sadhana (or) Mantra Upasana means churning the ocean of milk. Like the churning, if we can churn out our mental impurities like Kama, Krodha, Lobha, Moha, Madha, & Matsarya, we can get the purity needed to pave the way to Moksha. Amrita is compared to Moksha here.

Amrita makes one immortal, in a similar way Moksha takes us beyond the circle of birth and death. This can be experienced in this life itself, it is called Jivan Mukthi. This is the ultimate goal of life – This is Parameshwari. Realizing Devi is the goal of life, as explained in this Mantra.

hrīm kāri-hrīmati-hṛdyā is the section from Lalitha Sahasranama that we are discussing now. In Lalitha Trishati, 60 mantras explain more about ‘Hreemkara’. We have been discussing many of these mantras from Lalita Trishati. The mantras that we are going to discuss now is

Om hrīṁkāra kamalēndirāyai namaḥ
(… who is Goddess Mahalakshmi sitting on the lotus called Hrim)
Om hrīṁkāramaṇi dīpār-cciṣē namaḥ
(… who is the light of the ornamental lamp called Hrim)

hrīṁkāra kamalēndirā” refers to Goddess Mahalakshmi who resides in a divine lotus. Lotus symbolizes prosperity and Mahalakshmi represents eight kinds of prosperity. Mahalakshmi, residing in the lotus, indicates completeness. Without Mahalakshmi, the lotus loses its completeness. Like Lakshmi to the Lotus, Devi’s Grace completes the sadhana.

hrīṁkāramaṇi dīpār-cciṣi is the next mantra which refers to the glowing light of lamp as Devi. This lamp is a special lamp made of rare and precious gems. The radiance of these jewels brighten the light of the lamp. It is not merely a light from the lamp alone, it is also the luster of the precious stones in the lamp.

Devi is ever shining with the light of the blissful state of Brahman. The effulgence of Devi’s divine light cannot be compared to the ordinary festival lights or glowing celebrities. The glowing countenance of celebrities depends on good food, luxury, makeup, and attire.

These celebrities have people attending to each of the aspects of grooming. This glow is perceived on coming near the person but the radiance of great Masters and Devi knows no distance. Devi’s effulgence is a manifestation of the light of the blissful state of Brahman. These two shlokas explain Devi’s ultimate form.

Om hrīṁkāra taruśārikāyai namaḥ
(who is the ladybird sitting on the tree called Hrim)
is the next mantra. It says that Devi is the parrot living in a fruit-bearing tree. Taranath Tharuhu is the Sanskrit Lakshana meaning the name taru is given to trees because it protects. To get the fruits of the tree, we have to climb and atop is the parrot representing Devi.

nigama-kalpa-taror galitaṁ phalaṁ
śuka-mukhād amṛta-drava-saṁyutam
pibata bhāgavataṁ rasam ālayaṁ
muhur aho rasikā bhuvi bhāvukāḥ
– Srimad Bhagatam 1.1.3

O expert and thoughtful men, relish Śrīmad-Bhāgavatam, the mature fruit of the desire tree of Vedic literature. It emanated from the lips of Śrī Śukadeva. Therefore this fruit has become even more tasteful, although its nectar was already relishable for all, including liberated souls.

Usually, the fruits that are pecked by birds are considered more apt for consumption as birds won’t bite those fruits that are poisonous or has gone bad. Here the fruit has fallen from the wish-fulfilling tree of Vedas and Upanishads. It is the fruit of Bhagavata. Sri Sukadeva is compared to a parrot who has tasted this fruit of Bhagavata.

This mantra says to drink the essence of this fruit as much as possible. The bliss that one derives is not like the happiness one gets from materialistic objects. We will not relish the sixth dosa the same way we had enjoyed the first one. This fruit of Bhagavata is entering into the very core of our being. Anybody of any age can consume it. Blessed are those people who enjoy this fruit.

Here himkara is an example. If we could compare any mantras as a tree, Devi is the bird residing in that tree depicted by the mantra hrīṁkāra taruśārikā.

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ഹ്രീം – ബീജാക്ഷരം (ലളിതാ ത്രിശതി 219,220,281,282) Hrīm – The Sacred Syllable (Lalita Trishati)

We are listening to the commentary on the mantra “Om hrīmkāryai namaḥ” in the Lalitha Sahasranama. This mantra is explained in greater detail, as sixty mantras, in the Lalitha Trishathi. We are looking into the interpretation of those sixty mantras. The Lalitha Trishati is commonly chanted all over Kerala.

The next two mantras are
Om hrīṁkārasumanōmādhvyai namaḥ
(who is the honey in the flower called Hrim)
Om hrīṁkāratarumañjaryai namaḥ
(who is the flower bunch in the tree called Hrim)

Devi is the nectar, the honey that is found in the flower that is the “Hrimkaram”. Flower blooms and the bees come to sip the nectar that is the honey. They carry the pollen to other areas. Pollination increases and ensures the continuation of the plant species. This is the end goal.

In the same manner, Devi is the abstract, the intangible, inner meaning that is the goal of every Sadhana. Honey is the reason for the pollination that ensures the continuation of the plant species. Devi manifests as the nectar of the flower that is “Hrimkaram”. She stands as the goal, the pure inner element within the flower of “Hrimkara”.

We have seen boughs laden with flowers. Especially during Onam, we see flower-laden branches everywhere. “hrīṁkāra-taru-mañjari”. We see the mango tree full of flower-laden boughs which later transforms into small green mangoes. Devi is the flower-laden branch in the tree of “Hrimkara”, this is the meaning of the mantra “hrīṁkāra-taru-mañjari”. This is an indication that the flowers will evolve into ripe fruits.

A spiritual aspirant accepts a Guru, either longing for self-realization or to realize some goal in life. He receives a mantra from his Guru. He tries sincerely to chant the mantra and perform spiritual practices in obedience to his Gurus instructions, with an understanding of its meaning and the universal principle underlying it. He chants it with pure motive, without fail, and in accordance with the rules set down.

His desires, both aihikam (pertaining to this world, earthly pleasures) and aamushmikam (pertaining to the other world, salvation) will be granted. We might pray for a cure from a chronic disease. We might pray for an end to sorrow. The ultimate goal for everybody is an end to all sorrow. This is the reason why we accept a mantra and chant it regularly, whether it is Hrimkara mantra or not.

Devi is the flower-laden branches of the tree of “Hrimkara”. We do not know how to cross over this ocean of samsara. We are standing on the bank of a river longing to cross over to the other side. Wooden boats carry us across the river, to reach the opposite bank. This is what we call a “Thaaraka Mantra”, The mantra comparable to a boat that will carry us.

Across the ocean of Samsara and deliver us from the cycle of birth and rebirth. “Mantra Sadhana”, chanting the mantra in the prescribed manner and obeying the words of the Guru, helps us to cross over. If Upasana, or worship, is the tree, then Devi is the flower-laden bough of the tree of worship. Every day, whenever we see flowers, the Lalitha Trishathi reminds us that they are the forms of Devi and gives us the reassurance of reaching the goal.

The next three mantras are hrīṁkāra mūrtti – hrīṁ-kāra saudhaśr̥ṁga kapōtikā – hrīṁkāra dugdhābdhi sudhā
Devi is the indweller in the three qualities of Sattva, Rajas, and Tamas and pure intelligence beyond these three qualities. The form of Devi is composed of the three qualities and is also pure intelligence, the eternal indestructible consciousness that is beyond logic and perception. This is the meaning of the mantra

Om hrīṁkāra mūrttyai namaḥ
(who is the personified by bija hrim; the fifteenth and last letter of the panchadasakshari manthra)

The next mantra is
Om hrīṁ-kāra saudhaśr̥ṁga kapōtikāyai namaḥ
(who is the pigeon who lives on the top of the palace called Hrim)

A picture upholds before our eyes. We see the highest tower of a magnificent palace. A bird sits on the highest point of the tower, eyes half-closed in serene solitude. The bird is totally relaxed. This is the emotion that the picture evokes and imparts to us. The kings who wish for rest and quietness usually move to the upper reaches of the palace on a full moon night. They relax in the luminous glow of the moonlight as they enjoy the peace of the night.

In the same manner, the initial phases of spiritual practices are very intense. When the noble qualities of spiritual aspirants strengthen as a result of disciplined and constant practice, they reach the heights. They become aware of the presence of Devi, near them. They stay there immersed in meditation.

They meditate, with half-closed eyes, like a bird that even with eyes open is always alert to its inner world. They look inside themselves, sitting with half-closed eyes. The bird is absorbed in the bliss of the realized Self. It is standing with eyes veiled in rapture.

In the same manner the mind of the spiritual practitioner raises up, freeing itself from the turbulent emotions of desire and anger and reaches the heights where it experiences restful bliss. The sign of this is the mantra “hrīṁ-kāra saudhaśr̥ṁga kapōtikā”.

Here intense spiritual practice is represented as the palace and Devi is represented as the lovely bird residing at the pinnacle, standing motionless and absorbed in the bliss of the Self. This is the meaning of the mantra “hrīṁ-kāra saudhaśr̥ṁga kapōtikā”. We are looking into the meanings of the various mantras of the most ideal “Lalitha Sahasranama”. We shall hear more about the glorious attributes of Devi in the coming episodes.

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ഹ്രീം – ബീജാക്ഷരം (ലളിതാ ത്രിശതി 217 – 218) Hrīm – The Sacred Syllable (Lalita Trishati)

The next two mantras are
Om hrīṁkārakandarā siṁhyai namaḥ
(who is the lioness living in the cave called Hrim)
Om hrīṁkārāṁbhōja bhr̥ṁgikāyai namaḥ
(who is the bee playing in the lotus flower called Hrim)

A possible explanation for the mantra hrīṁkārakandarā siṁhi can be as follows, There is a cave on top of a mountain. There is a cave on top of the Himalayas. Devi is the lioness whose den is the cave. Usually, people do not climb up to the top of the mountains.

Even if they do, if they spy a cave they will never enter it. This is a hint that people who are immersed in worldly affairs do not enter the spiritual path. Mountaineers who take up the risky climb, are very rare. Of those brave souls who reach the top of the mountains, only a very few venture inside any caves that they might see.

This is because they do not want to encounter any wild and carnivorous animals that might inhabit the cave. Animals, who know that it is the den of the lioness, stay away from their surroundings.

Elephants, strong and powerful, might venture near. But they will meet their death at the hands of the lioness. It is said that the lioness will take the pearls that are to be found inside the head of noble elephants.

bhajanti tvāṃ dhanyāḥ katichana chidānanda-laharīm
Fortunate are those few, who worship Thee, the inundation of Bliss-Consciousness – Soundarya Lahari 8

To make the comparison, not many people devote themselves exclusively to realize the universal truth, that is the divine consciousness embodied as Parashakthi, who is the reason and the foundation of this universe. It is very rare that people go mountaineering, climb to the top, and with great courage enter alien caves.

It is only through “abhyāsātiśaya jñātā (who is known only through the strenuous practice of spiritual discipline)”- (990).

Devi is the lioness whose abode is the cave on the peak of the perilous mountain. It is almost impossible, and it is extremely difficult to approach Devi. We chant “Durgama”, “Durga” (189,190). She can be approached only with extreme effort. “Sulabhagatihi” (683) She who can be attained through an easy and brilliant path.

ābāla gopa viditā (who is known well by all)” (994)
She can be known with ease by small children and cowherds. A high level of education or Scholarship in Sanskrit and the scriptural sciences or Vedas are not essential to attain Devi. Devi is Lalitha. (The pleasant and playful one.) But even then, it is foolish to think that Devi can be attained by those who live ordinary lives.

hrīṁkārakandarā siṁhi” Devi is the lioness whose abode is the cave of Hrim, who lives inside the cave of the intense spiritual practices. Devi is the lioness who can be attained only through intense spiritual practices.

The next mantra is hrīṁkārāṁbhōja bhr̥ṁgikā
Devi is the honey bee coming in search of the lotus that is the “Hrimkaram”.

The lotus is most beautiful and is filled with more honey than other flowers. Bees come in search of lotus flowers before flying off to look for honey in other places.

The lotus flower is the symbol of liberation, Ashtasiddhi (eight mystical perfections or divine powers) and Ashtaishwarya (the eight types of wealth.) Devi comes to this lotus flower. Devi comes in search of this lotus flower.

Spiritual aspirants who practice the “Hrimkara Sadhana” attain Devi with more ease than aspirants who follow other methods of spiritual practice. We Take refuge in god. God must also come in search of us.

We must become ideal spiritual practitioners so that we become beloved to god and god comes in search of us. We must become ideal spiritual practitioners so that we become beloved to God and God comes in search of us.

Self-realization or union with the universal being is possible for those who have ideal qualities. The Lotus has all such ideal qualities. The Lotus incorporates within itself the eight mystical perfections, the eight types of wealth, and the salvation of the self. Devi becomes drawn to such a flower.

Therefore, those who worship and continuously chant this mantra will effortlessly gain the merit needed for the blessings of Devi. Devi will come in search of them.

hrīṁkārāṁbhōja bhr̥ṁgikā” – She who can be attained effortlessly by intense spiritual practitioners, who possess ideal qualities. Those who worship the ‘Hrimkara Mantra’ gain Devi with more ease.

We are hearing the various explanations of the mantra. ‘Hrimkaryai Namaha’ in the Lalitha Sahasranama

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ഹ്രീം – ബീജാക്ഷരം (ലളിതാ ത്രിശതി 209 – 214) Hrīm – The Sacred Syllable (209 to 214 in Lalita Trishati.)

We are listening to the commentary of the mantra
Om hrīmkāryai namaḥ (who is in the form of the syllable hrim.) in the Lalita Sahasranama.

We are looking into the mantras in the Lalitha Trishati that details the different aspects of this mantra. The next mantra in the Lalitha Trishathi is Om hrīṁkārakandāṁkurikāyai namaḥ (… who is the germinating tendril of the tuber called Hrim)

Devi is the sprout of “Hrimkara”. From the tuber root, sprouts two leaves on the slender stem. This is called the ‘ankuram’. It is this slender sprout that grows into a strong plant and a stout tree.

A tree grows strong branches and its branches bear fruits. It becomes an immense presence, giving shade and support to all. In the same manner, Devi is the seed and the sprout to this Universe.

We see the universe as “Many”. We see the roots, the trunk, branches, the fruits as Many and different from each other. But the source of all this is the seed and the sprout that is Devi.

The next mantras are
Om hrīṁkāradīr-ghikāhaṁsyai namaḥ
(who is she swan playing in the pond called Hrim)
Om hrīṁkārōdyānakēkinyai namaḥ
(who is the peahen playing in the garden of Hrim)

These mantras are also connected to natural sights. A lake in which we can see swans swimming. At times we can see a swan all by itself, in the lake. Devi is the lovely swan in the lake of Hrimkara. (hrīṁkāradīr-ghikāhaṁsi).

In the garden of Hrimkara Devi is the resplendent peacock (hrīṁkārōdyānakēkini). These mantras describe the happiness experienced by those who are enmeshed in worldly affairs when they can see a Mahatma. They have never before seen such a sight, the experience indefinable, sublime happiness when they meet Amma.

They have walked from morning to night on a barren road, hungry, thirsty and tired and then they spy a clear water lake. They rest by its side, drink the clear water, and happily watch the swans swimming regally in the lake. They feel rested and refreshed.

Swans live only in clear water lakes. Swans have another ability. When milk water is given to them, they will drink only the milk, and leave the water untouched. Life consists of the good and the bad, virtue, and vice.

We might, even though we might know it to be a vice, become enslaved to alcohol or some other ruinous habits. We lose our sense of discernment. Swans are a symbol of discernment.

A sincere spiritual practitioner must be able to eschew vice and embrace virtue. This is the lesson given to us by the Swan. In the manner that a tired traveler rests. And regain strength under the shelter of the shade of the tree, the darshan of Mahatma rejuvenates himself. When we take refuge in Parashakthi, we can regain happiness, as Devi uplifts us from the great sorrows of life.

We go in search of solitude in gardens when we long for some rest or relaxation from an unquiet mind. We see huge trees, creepers, and flowering bushes in a garden. We see green meadows. But the crowning glory of a garden is the presence of peacocks. The peacock travels among the trees and on the green meadows.

The Universe is made up of manifold manifestations of Devi. It is her energy that permeates everywhere. Devi compared to the peacock that roams free everywhere in the garden and adds beauty and brilliance by its presence.

Devi is the self that shines through every being and everything, she is the pure Self of the Universe. She is the beauty and cosmic power that engenders the universe. The two mantras direct us to think constantly of Parashakthi or the cosmic power behind this Universe.

The next two mantras of the Lalitha Trishathi are
Om hrīṁkārāraṇya hariṇyai namaḥ
(who is the doe (female deer) playing in the forest of Hrim)
Om hrīṁkārālavālavallyai namaḥ
(who is the ornamental climber in the flower bed of Hrim)

A forest is made of thousands of trees, creepers, bushes, plants, and animals. Initially, one is afraid to enter the forest. But being captivated by the beauty of the forest one ventures in. You feel safe at the entrance of the forest.

But as you venture into the deep and dark interiors, suddenly you become aware of your aloneness, of the tigers, bears, and elephants that roam freely in the forest. Fear overtakes you.

In the same manner, initially, you hesitate to enter this world of illusions and delusions, then we slowly step in, we experience the ties of family, sorrow and happiness visit our lives and we become unable to free ourselves of our various bonds.

We feel as if we are trapped within a forest. If we are trapped within a forest and we come across a deer, our heart lightens up. The doe is traveling alone, it has beautiful eyes and a graceful figure and its peaceful presence assure us that no carnivorous animals are present in the vicinity and gives happiness to our heart, in the forest of the world.

Devi is the doe in the forest of “Hrimkaram”. This mantra advises those who are trapped in the worldly life, to take refuge in Devi. We shall hear the glorious attributes of Devi, in further classes.

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ഹ്രീം – ബീജാക്ഷരം (ലളിതാ ത്രിശതി 205 – 208) Hrīm – The Sacred Syllable (205 to 208 in Lalita Trishati.)

We were seeing the meaning of the mantra
Om hrīṁ kāryai namaḥ
(who is in the form of the syllable hrim.)
We were discussing the connected mantras in Lalita Trisati related to hrīṅ kāryai namaḥ and continuing with

Om hrīṁkārakuṇḍāgni śikhāyai namaḥ
(who is the flame of the fireplace (homa kundam) called hrim)

The most important part of the fire offering happens in the sikha (the top of the flame). The fire should be live without smoke and the tip of the flame is where the offerings are made. If the fire is not continuous or smoky it is not considered as auspicious.

Devi is compared to the most important part of the offering as the flame. This means Devi is the central aspect of the hrimkara japa sadhana. If we are chanting this by remembering Her form, it will brant us both materialistic and spiritual well-being. This is what this mantra signifies.

The next 3 mantras are familiar to us as see those in nature

Om hrīṁkāra śaśicandrikāyai namaḥ
(who is the nectar-like rays of the light of the moon called Hrim)

A person who is tired of his day’s activities, who is exhausted and worried is relieved at the sight of a soothing full moon. In a similar way, people who are delved into sadhana of chanting Her names, are relieved from worldly sorrows. Like a joyful spring after the hot summer. The chanting of a mantra received from their Guru will bestow happiness and contentment. It is like the soothing rays of the full moon.

The next mantra is Om hrīṁkāra bhāskararucayē namaḥ
(who is the luster and brightness in the sun called Hrim)

Ruchi in Sanskrit has two meanings. One is taste and another meaning is brightness. Like the clouds that clouts the Sun, the ever-shining knowledge within us are blocked by our ignorance. To understand that knowledge within us we don’t need any other knowledge as it is self-effulgent. But it is hindered by the clouds of our ignorance.

The chanting of mantras continuously and contemplating the spiritual principles will help us to remove the darkness of ignorance and reveal the light of knowledge. This highlights the importance of Sadhana and the Mantra Japa. This mantra helps us to remind that principle whenever we see the natural elements.

The next mantra is Om hrīṁkārāṁbhōdacañcalāyai namaḥ
(who is the lightning in the black clouds called Hrim)

Ambhodam is thunder clouds, cancalam is the lightning. When it rains, we see the clouds when the lighting struck. It is the lighting that shows the presence of clouds. In the same way in this materialistic world, we are unable to decipher the principle of Devi.

Devi is the foundational principle of this entire. The universe and She is the lightning or the light that shines everything else in this universe. Devi is the prime object of contemplation in the path of hrimkara sadhana.

Whenever we see the sun, moon, rain clouds, lightning, these mantras helps us to remember Mother.

cacatmikā-sarva lokeśi-viśva dhāriṇi, all these mantras of Lalita Sahasranama reminds us She is pervading in the entire universe.

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ഹ്രീം – ബീജാക്ഷരം (ലളിതാ ത്രിശതി 201- 204) Hrīm – The Sacred Syllable (201 to 204 in Lalita Trishati.)

We were discussing on the commentary to the mantra
Om hrīmkāryai namaḥ
(who is in the form of the syllable hrim.)

In Lalita Trisati, the syllable hrim is used in 60 different ways and we started seeing a brief commentary on those mantras. Earlier we discussed on 80-100 mantras from Trisati. Now we will see the mantras 200-220 from Lalita Trisati.

The next three mantras are
Om hrīṁkāriṇyai namaḥ
(… who is the personified by the bija ‘Hrim’; the eleventh letter of the panchadasakshari mantra)
Om hrīṁkārādyāyai namaḥ
(… who is the origin of Hrim and Om)
Om hrīṁmaddhyāyai namaḥ
(… who is in the midst of Hrim)

hrīṁkāriṇi means one who created the bija mantra hrim. These mantras are not created to exhibit the Sanskrit prowess by the sages, rishis are said to be the seers of the mantras, not the creators. Certain aspects of rituals and sadhana are created, for example, Kadi Vidya and Hadi Vidya in Shakta tradition is attributed to Kamadeva & Lopamudra respectively.

In reality, all the mantras have originated from the pure consciousness that is Devi. Hence Devi is hrīṁkāriṇi and hrīṁkārādyā. Hrīṁmaddhyā also means that this syllable, Hrim is at the center of everything.

Objects in this universe are of two types, one being made of pure energy and the other made of the five elements. Supreme Consciousness, Devi is considered as the primordial cause of these two classes. In Tarkka Shasthra, there are two causes described, 1. Upaadaana Kaaranam, 2. Nimitta Kaaranam.

Upaadaana Kaaranam means, for example, mud and a mud pot. Without mud, a mud-pot cannot exist. Without the thread, a cloth cannot exist. Without gold, ornaments cannot exit. In a similar way, this universe cannot exist without Devi.

Nimitta Kaaranam is, the one who makes the ornaments or furniture, lie black-smith, carpenters etc. That is also Devi as She is creatrix. Hence it is said that there is nothing other than Devi in this universe. She is both the Nimitta & the Upaadaana.

So, hrīṁmaddhyā denotes that Devi is at the center of everything, the cause of the universe. From the next mantra onwards in Lalita Trishati, there are beautiful 36 examples being described.

The natural forces that we see in our daily lives like rain, moonlight, cyclones, sunrise & set, wild animals in the forest, whatever we see around, the following mantras reminds us that all these are nothing but Devi’s various manifestations.

The next mantra is Om hrīṁśikhāmaṇayē namaḥ
(… who wears hrim in her head as ornament)

We wear many kinds of ornaments and among the parts of our body, the head is considered as the most important as it is the seat of vision, taste, hearing, and intellect. Hastasya Bhooshanam Daanam, means, for the hands, the beauty comes from doing charity & serving others and not by wearing any ornaments.

In a similar way it is through the senses on our head we perceive this universe and our thoughts take place. Hence the ornament worn on the head is very important. Devi wears a beautiful crown on Her head and on that crown is the most valuable jewel (Choodamani).

Hence hrīṁśikhāmaṇi means, hrim is the most important among other mantras. It is like the jewel on the crown. We are seeing those part that explains about the importance of practice of mantra.

We are discussing the meaning of the mantra Om hrīmkāryai namaḥ from Lalita Sahasranama. This entire part depicts the importance of Hrimkara mantra and it’s practice. This is expanded to 60 mantras in Lalita Trishati. These can be considered as the commentary for the Hrim syllable. We have seen a brief meaning of a few of those mantras.

The next mantra is
Om hrīṁkārakuṇḍāgni śikhāyai namaḥ
(… who is the flame of the fire place (homa kundam) called hrim)

The fire oblations (homa) begins with the construction of the fire pit (homa kunda). Cleaning the space, building-up the homa kundam in the most revered way. Using the right and auspicious materials to perform the oblations. Using the right chanting of mantras and offering the sacrifices. All these lead to the said benefits of the homa.

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ഹ്രീം എന്ന ബീജാക്ഷരം (ലളിതാ ത്രിശതി 80- 100) The Sacred Syllable Hrīm (80 to 100 in Lalita Trishati.)

We were discussing the mantra, om hrīmkāryai namaḥ
We already said that in Lalita Trishati the mantras from 80 to 100 are about ‘hrīm’.

The following are the mantras – hrīṁkāra rūpā – hrīṁkāra nilayā – hrīṁpadapriyā – hrīṁkāra bījā – hrīṁkāramantrā – hrīṁkāralakṣaṇā – hrīṁkārajapa suprītā – hrīṁmati – hrīṁvibhūṣaṇā – hrīṁśīlā – hrīṁpadārādhyā -hrīṁgarbhā – hrīṁpadābhidhā – hrīṁkāravācyā – hrīṁkāra pūjyā – hrīṁkāra pīṭhikā – hrīṁkāra vēdyā – hrīṁkāra cintyā – hrīṁ – hrīṁśarīriṇi. These are the 20 mantras from 80 to 100 in Lalita Trishati.

Now we will discuss very briefly the meaning of these 20 mantras. The first mantra among these is “hrīṁkāra rūpā”. Hrim is the 5th seed syllable of the Pancha Dashakshari mantra (mantra with 15 syllables). The meaning of the mantra is – ‘Hrim’ is one of the forms of the Divine Mother.

The next mantra is “hrīṁkāra nilayā”, which means that the abode of the Divine Mother is ‘Hrim’. During the day time, we go out to work or to some other place. Where ever we go, we come back home for rest. We get peace when we come back home. Like that the abode of Devine mother is always Hrim.

The next mantra “hrīṁpadapriyā” – Devine mother Loves those who chant this mantra knowingly or unknowingly. The Devine mother loves this term Hrim. It can be also interpreted as the ultimate position, the most exalted state of liberation. The state of Hrim is liberation and the Devine Mother loves those who try to attain that.

The mantra that comes after this is hrīṁkāra bījā – The seed of the big Peepal tree is very small. From such a small seed grows the big tree with its trunk, branches, roots, and fruits. Many birds rest in that tree. The big tree exists in the small seed. Like that the whole universe exists in the mantra ‘Hrim’. The Divine Mother is “hrīṁkāra bījā”.

The next mantra is “hrīṁkāramantrā”. It is enough to chant just this mantra ‘Hrim’. This “hrīṁkāramantrā” protects those who meditate on it. Hrim Kara is the characteristic feature of the Divine Mother. As discussed earlier there are four syllables in hrīṁ – h, r, i, m.

The mantra denotes the trinities of Brahma, Vishnu, Maheshwara, and the most exalted Devine Mother, and the cosmos which is the aggregate of three qualities, followed by that which transcends all these – The Self. We can say that if ever there is any characteristic feature for the Divine Mother it is Hrim.

The mantra “hrīṁkārajapa suprītā”- The Devine Mother is very much pleased with those who do their spiritual practices systematically and those who practice the chanting of ‘Hrim’ considering it as the Divine Mother.

The mantra “hrīṁvibhūṣaṇā” – If we describe someone as wearing a necklace or earring, we will have a picture of that person in our mind. Like that the whole universe is the Divine Mother’s adornments.

The Shakta Philosophy says that the Divine Mother who has no name or form has evolved as the universe with names and forms. It doesn’t deny the universe saying that it is all Maya, illusion. In Shakta Philosophy everything has its significance saying that the entire universe is the manifestation of the Divine Mother.

The meaning of the mantra “hrīṁvibhūṣaṇā” is that all animate beings and inanimate things in the universe are the decorations of the Divine Mother. When we understand that these animate beings and the inanimate things are the ornaments of the Divine Mother, we will never hate anything in this universe.

The next mantra is “hrīṁśīlā”. The trinities are mentioned here. Here creation, preservation, and destruction are happening without any break. That is Divine Mother’s deed. The mantra “hrīṁśīlā” denotes the Divine Mother’s action of creation, preservation, and destruction.

The next mantra is “hrīṁpadārādhyā”. The Divine Mother is glorified by all those who worship this mantra. They chant the mantra with the Goddess in their hearts.

“hrīṁgar-bhā” is the next mantra. The whole universe is in the womb of the Divine Mother. She is the cause of creation, preservation, and destruction. Thus this mantra is very suitable for her.

“hrīṁpadābhidhā” – The Divine Mother is indicated with the word Hrim. “hrīṁkāravācyā” – The meaning of the word Hrim is Divine Mother. “hrīṁkāra pūjyā” – The Devine Mother is to be worshipped with Hrim.

“hrīṁkāra pīṭhikā” – The Goddess sits in the seat called Hrim. “hrīṁkāra cintyā” – The Divine Mother is to be meditated as Hrim. “hrīm” – The Divine Mother is addressed as Hrim. “hrīṁśarīriṇī” – The body of the Divine Mother is Hrim. These are very brief meaning of the Hrim mantras.

There are five seed syllables, Hrim, Shrim, Klim, etc which are called Pancha Pranava mantras. The Divine Mother is worshipped with all these.

The Hrim mantra is also the combination of Shiva and Shakti. Hrim is also considered as the combination of knowledge and ignorance. Thus this mantra “om hrīmkāryai namaḥ”. LalitaSahasranama explains to us the importance of mantra worship.

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ഹ്രീം എന്ന ബീജാക്ഷരം – The Sacred syllable Hrīm

Mantra Chanting is an important topic in Sri Lalita Sahasranama. So far we have discussed the creation and evolution (of an individual soul), the relevance of Vedas and Agamas, Dharma (righteous deeds) and the goal of life which is liberation. Chanting mantra as a spiritual practice is most essential for the evolution of an individual soul.

Worship helps you to attain liberation very fast, and chanting mantra is most suitable for that. In the 1000 names of the Divine Mother this is mentioned briefly in the mantras like “hrīmkārī, hrīmatī” etc.

For a spiritual practitioner material possessions are not important. His wealth is his mantra. He gains as much as he chants his mantra. It never goes in vain. So we will discuss that in detail here. There is a mantra in Lalita Sahasranama

om hrīmkāryai namaḥ
(who is in the form of the syllable hrim.)

This mantra is also there in many other hymns. Like ‘Hrimkara Mantrojwala’ in the hymn Meenakshi Pancharatna. This is discussed in more detail in Lalita Trishati. Lalitha Trishati is the 300 names of the Divine Mother. In those three hundred names 60 mantras are about the syllable ‘Hrim’.

In the first 100 names, the mantras from 80 to 100 is about the mantra ‘Hrim’. After that mantras from 200 to 220, and the last 280 to 300 are about ‘Hrim’ mantra. So mantras from 80 to 100, 200 to 220 and 280 to 300 are about ‘Hrim’. From this we can understand the importance of this mantra.

‘Hrim’ is the fifth syllable in the form of worship called Sri Vidya. So this mantra is present in Sri Vidya also. We can see in various temples that this mantra is inscribed like ‘Om Hrim Parashakthyai Namaha’ or ‘Om Hrim Namah Shivaya’. The relevance of Lalita Sahasranama is that many mantras from this hymn are used by spiritual masters for initiating their disciples.

Another meaning of the word ‘Hrim’ is shame. Dignified people will surely feel ashamed if they knowingly did something that they should not do. Because of this feeling of shame we understand our mistakes and would never repeat them. This is one meaning of the word ‘Hrim’.

In the mantra ‘Hrim’, there are 3 notes – ‘h, r, i’ followed by ‘m’. All these seed letters include in the mantra. In general, these syllables denote the three qualities of Sattva, Rajas and Tamas followed by that which transcends all these – The Self.

The mantra also denotes the principles of Brahma, Vishnu, Maheshwara and the most exalted Divine Mother and creation, preservation, destruction and Pure Consciousness. Thus these seed syllables are very meaningful.

We must not think that these syllables are meaningless sounds. All the seed syllables have particular meaning. Suppose we take some medicine. The doctor prescribes some medicine. We do not care about components of the concoction. We take it as prescribed by the doctor. And we surely have its benefits.

Like that we receive mantra from the Guru and we practice it as instructed by the Guru. The guru explains the meaning of the mantra and how to practice it. Because the guru is so pure we also receive a fraction of their immense energy.

Those who practice the chanting of mantra will be able to attain liberation in this life itself. Thus this mantra teaches us the importance of the practice of mantra. This mantra – Om Hrimkaryai namah of Lalita Sahasranama helps us to understand the importance of chanting mantra.

By the spiritual practice of the mantra we are freed from all types of fears. Fear here means worldly fear. Chanting mantra relieves us from the distress of worldly life. At the same time, it releases us from the cycle of life and death. It is also said that whoever sings its glory are freed from worldly pains.

Amma gives a beautiful example. We write a notice on the wall, “Stick no bills”. This one sentence written on the wall keeps the rest of the wall without any writing. Like that, we receive a mantra and chant it. We meditate on its meaning.

This thousand Names of the Divine Mother is a garland of mantras. Different names are given as per the letters of the mantra. Spiritual practices of goddess are called ‘Vidya’. When it is more than 24 letters it is called a chain of mantras. This thousand names of Divine Mother are a chain of mantras.

We chant it, meditate on its meaning. Because of this we are relieved from worldly fears. Even if we know that we have Amma’s blessings. Amma will always protect us, mantras liberate us from this world. This mantra, ‘om hrīmkāryai namaḥ’ helps us to proceed in the spiritual practice.

To Be Continued……