We mediate the forms of the Divine in mainly two different ways.<\/p>\n\n\n\n
From the Divine Feet up to the Head (Padadi Kesha),
From the Head to the Feet (Keshadi Pada).
Masculine forms are usually described from Keshadi Pada and feminine forms in Padadi Kesha. But in Lalita Sahasranama, since Devi is the supreme aspect of all divinity, Devi cannot be attributed to any gender. Hence we could see the description of Devi as Keshadi Pada (from Head to Feet), unlike other feminine forms.<\/p>\n\n\n\n
Lalita Sahasranama describes Devi as Om anavady\u0101\u1e45gyai nam<\/em>a\u1e25 whose body is worthy of worship., on whom we cannot find any faults.<\/p>\n\n\n\n Devi is also praised as Om sarv\u0101bhara\u1e47a bh\u016b\u1e63it\u0101yai nam<\/em>a\u1e25 [who is resplendent with all types of ornaments.]<\/p>\n\n\n\n