{"id":113,"date":"2020-09-25T11:50:16","date_gmt":"2020-09-25T06:20:16","guid":{"rendered":"https:\/\/www.amrita.in\/lalita\/?p=113"},"modified":"2020-09-25T11:50:20","modified_gmt":"2020-09-25T06:20:20","slug":"%e0%b4%a8%e0%b4%be%e0%b4%a6%e0%b4%b0%e0%b5%82%e0%b4%aa%e0%b4%af%e0%b4%be%e0%b4%af-%e0%b4%a6%e0%b5%87%e0%b4%b5%e0%b4%bf-the-origin-of-the-sound-is-devi","status":"publish","type":"post","link":"https:\/\/www.amrita.in\/lalita\/113\/%e0%b4%a8%e0%b4%be%e0%b4%a6%e0%b4%b0%e0%b5%82%e0%b4%aa%e0%b4%af%e0%b4%be%e0%b4%af-%e0%b4%a6%e0%b5%87%e0%b4%b5%e0%b4%bf-the-origin-of-the-sound-is-devi\/","title":{"rendered":"\u0d28\u0d3e\u0d26\u0d30\u0d42\u0d2a\u0d2f\u0d3e\u0d2f \u0d26\u0d47\u0d35\u0d3f &#8211; The origin of the sound is Devi"},"content":{"rendered":"\n<p>In the Lalita Sahasranama, we have heard the descriptions of the mantras<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u0d28\u0d3e\u0d26\u0d30\u0d42\u0d2a\u0d2f\u0d3e\u0d2f \u0d26\u0d47\u0d35\u0d3f; Lalitha Sahasranama Discourse Part 40\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/RjbNZwemOPo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u201c\u0101brahma k\u012b\u1e6da Janani &#8211; var\u1e47\u0101\u015brama vidh\u0101yini &#8211; nij\u0101j\u00f1\u0101 r\u016bpa nigam\u0101 &#8211; pu\u1e47y\u0101pu\u1e47ya phala prad\u0101\u201d<\/p>\n\n\n\n<p>Devi is not only the creator who is the mother to all, from Brahma to the littlest living thing, she established the social order, the four varnas, and four Ashramas necessary for each stage of life. She is not only the creator, but each birth is granted by her to experience the result of past actions from previous lives.<\/p>\n\n\n\n<p>Devi guides them to exhaust their karma and attain liberation, which is the ultimate goal of life. She is also<br>nij\u0101j\u00f1\u0101 r\u016bpa nigam\u0101 (287),<br>pu\u1e47y\u0101pu\u1e47ya phala prad\u0101 (288)<\/p>\n\n\n\n<p>Through Nigamas, Agamas, Shastras, (Hindhu scriptural sciences) and sacred rituals Devi guides us into upholding the right values in life. <\/p>\n\n\n\n<p>One of the most essential qualities of the devotees of Devi is that they must bear no malice, nor should they demean, whether it may be the arts, or people of different religions, whether they are devotees of Shiva or Vishnu. All paths ultimately lead to Devi. This is called \u201cnahi ninda nyayam\u201d where no person, art, or object is demeaned.<\/p>\n\n\n\n<p>The philosophy advises us to adore the Devi within our hearts, dress in a manner befitting the devotees of Shiva by wearing rudraksha and sacred ash, and live in the manner of a devotee of Vishnu, following their food habits, restrained behavior, and sweet words. This is advised by the Shakthas. <\/p>\n\n\n\n<p>Devotion to Shiva, Vishnu, or Devi is not separate from one another. A true devotee of Devi would want to hear numerous stories of Vishnu, sing hymns in praise of him and chant his names.<\/p>\n\n\n\n<p>There is a very popular evening prayer chanted in Kerala \u201cShiva Rama Govinda Narayana Mahadeva Krishna Hare Hare Krishna Mahadeva Narayana Govinda Rama Shiva\u201d This is chanted as the evening prayer. The holy names of Shiva, Rama, Govinda, Mahadeva, Krishna are not different from each other. They should all be chanted. There should be no discrimination between Shiva and Vishnu and Shakti .<\/p>\n\n\n\n<p>The next mantra in Lalita Sahasranama is about n\u0101da (sound). This is a topic that we normally do not think about. Devi is praised as<\/p>\n\n\n\n<p>n\u0101da r\u016bp\u0101 &#8211; n\u0101ma r\u016bpa vivarjit\u0101 (299, 300). The Lalita Sahasranama reveals that naadam (sound) has four classifications.<\/p>\n\n\n\n<p>\u201cpar\u0101 pratyak cit\u012b r\u016bp\u0101 \u2013 pa\u015byanti para devat\u0101 \u2013 madhyam\u0101 vaikhar\u012b r\u016bp\u0101 &#8211; bhakta m\u0101nasa ha\u1e41sik\u0101.<\/p>\n\n\n\n<p>The four forms of sound are classified as par\u0101, pa\u015byanti, madhyam\u0101, and vaikhar\u012b. We do not usually think about the sound that is unmanifest or inaudible. We consider sound to be only that which is audible to our ears. This gross, manifest, and audible sound is called Vaikhari. Sound has subtle and unmanifest stages also.<\/p>\n\n\n\n<p>Par\u0101 is the state of utmost subtlety (366). Pa\u015byanti is the second level of sound after par\u0101 (367). Madhyam\u0101 \u2013 she who stays in the middle between the subtle and the gross (368). Vaikhar\u012b is the sound in the gross, manifested form audible to the ear (371).<\/p>\n\n\n\n<p>Let us take the example of the sun before and after sunrise. There is darkness before sunrise, nothing is clear to us. We are unable to see anything with our eyes. After a while, a dim light seeps in. Things become clearer as the sky becomes lighter and the sun dawns up in the sky. In midway, the sun is blazing high above us, where everything is clear.<\/p>\n\n\n\n<p>In the same manner, Vaikhar\u012b is the sound that our external ears are capable of hearing in the grossest, audible, and manifest form. Madhyam\u0101 is twilight. The time of the day just before twilight, when things can be dimly perceived is Pa\u015byanti, para is the unclear, unseen.<\/p>\n\n\n\n<p>In the individual, the power of speech resides in the kundalini and our prowess in speech depends on the latent tendencies of our past lives. The source of sound resides at such a subtle level. We call it para. Pa\u015byanti has a simple form, but it has not become a sound or a syllable.<\/p>\n\n\n\n<p>Such a stage is called Pa\u015byanti. Madhyam\u0101 is the middle stage, where sound becomes more amplified and clear. Vaikhar\u012b is the sound that we hear, that becomes manifest as audible syllables. The origin of the sound is the ku\u1e47\u1e0dalini (110) arising from the \u2018an\u0101hat\u0101bja\u2019 Ajna chakra, (103) vi\u015buddhi cakra (475) in Lalita Sahasranama.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The four forms of sound are classified as par\u0101, pa\u015byanti, madhyam\u0101, and vaikhar\u012b. <\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-113","post","type-post","status-publish","format-standard","hentry","category-ls"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u0d28\u0d3e\u0d26\u0d30\u0d42\u0d2a\u0d2f\u0d3e\u0d2f \u0d26\u0d47\u0d35\u0d3f - The origin of the sound is Devi - Sri Lalita Sahasra Namam \u0d36\u0d4d\u0d30\u0d40 \u0d32\u0d33\u0d3f\u0d24\u0d3e \u0d38\u0d39\u0d38\u0d4d\u0d30 \u0d28\u0d3e\u0d2e\u0d02<\/title>\n<meta name=\"description\" content=\"Par\u0101 is the state of utmost subtlety. 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